Layers and Lattices: The Super 8 Films of Helga Fanderl

Fanderl’s willingness to surrender to the particular dynamics of the situation in which she finds herself, opens up her practice to otherwise unavailable possibilities. In some ways her stance exemplifies what most artists discover in the process of making, which is to allow the work’s own momentum to pull them with it, so that there is always a margin of doubt, of things to be discovered and surprised by, before the conscious awareness of the contents of this margin of doubt permits retrospective theoretical and strategic consolidation to take place.

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